It would be a mistake to view Sum 41 as just another second-rate band cashing in on the early-'00s punk-pop boom, even if it did recruit Jerry Finn to produce All Killer No Filler. Just as Finn had done for both blink and Green Dayhe charges Sum 41 's punk-pop with a razor-sharp edge, the sort of dynamic in-your-face sound that helps this music cross over to MTV and radio so well.
Besides the notable production, a lot of credit should go to the band as well. Its songwriting is obviously more diverse here than it was a year earlier on its debut album, Half Hour of Power ; for example, the group's rap and '80s metal influences rise to the surface more frequently here than on that first album and instill a fun sense of camp.
Judging from this album, Sum 41 still isn't quite on the same level as alt-rock peers such as Weezer or Green Daybut the band is obviously headed in the right direction.
In the meantime, it's difficult not to enjoy this album for what it is, even if it's a bit derivative.
Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Features Interviews Lists. Streams Videos All Posts.
15 Sweetest Punk Rock Love Songs
Track Listing. Introduction to Destruction. Sum Nothing on My Back. Never Wake Up. Fat Lip. In Too Deep. Handle This.
Crazy Amanda Bunkface. All She's Got. Heart Attack. Pain for Pleasure. Introduction to Destruction Sum Spotify Amazon. Nothing on My Back Sum Building upon the evolved sound and lyrical maturity of 's 13 VoicesCanadian punks Sum 41 unleash a topical rage brought upon by world affairs on 's fiery Order in Decline. Produced, mixed, engineered, and written by frontman Deryck Whibleythis seventh full-length is laser-focused and angry as hell, taking multiple shots at a certain United States president without ever explicitly wasting any breath on his name.
Decrying division and a society seemingly on the verge of moral collapse, this is one of Sum 41 's most earnest and thoughtful statements to date, a compact burst that recalls a wide swath of influences ranging from Linkin Park to Bad Religion to Muse.
Tension and frustration course through these ten tracks, peaking on thrash-influenced assaults such as "Turning Away" and the riotous "Out for Blood" and abating on sweeping surprises such as "Never There" and "Catching Fire," which take a pause from the political to focus on broken relationships and lost friends.
All Killer, No Filler
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Streams Videos All Posts. Track Listing. Turning Away. Deryck Whibley. Sum Out for Blood. The New Sensation.It is the seventh track on their debut studio album All Killer No Fillerand was released as the second single on September 4, The music video was directed by Marc Klasfeld and premiered in September It is a parody of the diving competition scene from the Rodney Dangerfield classic, Back to School.
Sum 41 face another dive team, represented as stereotypical high school " jocks " with muscular bodies and red Speedos. Each band member takes their turn diving off the board in comical fashion as they dive against their opposition, who dive with mocking perfection. After guitarist Dave Baksh completes his dive, he then rises out of the water to play his guitar solo Baksh and bassist Jason "Cone" McCaslin have both confirmed this scene was inspired by the video for Guns N' Roses ' Estranged " [ citation needed ].
After each dive, the video cuts to a scene of the band playing in an empty pool surrounded by fans. For the last dive, drummer Steve Jocz does a comically dramatic dive similar to the dive done by Dangerfield's character in Back to School known as the 'Triple Lindy' in the film in which he bounces off of every diving board and lands perfectly in the water.
Jocz is rewarded with near-perfect marks from the judges, the band wins the competition and the judges and some of the audience jump into the pool in celebration. Superpeer of Sputnikmusic said "This song just puts a smile on your face, and you have to love the short solo in it.
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Sum 41’s Deryck Whibley: The 10 Songs That Changed My Life
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Select singles in the Format field. Select Platinum in the Certification field. Sum Does This Look Infected Too?Storming through the party like my name was El Nino When I'm hanging out drinking in the back of an El Camino As a kid, was a skid, and no one knew me by name I trashed my own house party 'cause nobody came.
I know I'm not the one you thought you knew back in high school Never going, never showing up when we had to Attention that we crave, don't tell us to behave I'm sick of always hearing act your age. I don't wanna waste my time Become another casualty of society I'll never fall in line Become another victim of your conformity And back down. Because you don't Know us at all, we laugh when old people fall But what would you expect with a conscience so small?
Heavy Metal and mullets it's how we were raised Maiden and Priest were the gods that we praised. Don't count on me to let you know when Don't count on me, I'll do it again Don't count on me, it's the point you're missing Don't count on me 'cause I'm not listening.
Well I'm a no goodnick lower middle class brat Back packed and I don't give a shit about nothing You be standing on the corner talking all that kufuffin But you don't make sense from all the gas you be huffin 'Cause if the egg don't stain you'll be ringing off the You're on the hit list, wanted in the telephone book I like songs with distortion, to drink in proportion The dentist said my mom should've had an abortion.
Waste my time with them Casualty of society Waste my time again Victim of your conformity And back down.
Please click here if you are not redirected within a few seconds. Sum 41 - Fat Lip Lyrics Sum Advisory - the following lyrics contain explicit language: Storming through the party like my name was El Nino When I'm hanging out drinking in the back of an El Camino As a kid, was a skid, and no one knew me by name I trashed my own house party 'cause nobody came I know I'm not the one you thought you knew back in high school Never going, never showing up when we had to Attention that we crave, don't tell us to behave I'm sick of always hearing act your age I don't wanna waste my time Become another casualty of society I'll never fall in line Become another victim of your conformity And back down Related.
You gotta check out.Death looms large on Sum 41 's sixth album, 13 Voices. Five years after Screaming Bloody Murderthe comeback arrived two years after frontman Deryck Whibley nearly died from alcohol-related liver and kidney failure. Emerging from an induced coma, he not only had to relearn how to walk, but he also had to train his hands to play guitar again. He described the process as a fall and a rise, which is documented on the bleak and intense 13 Voices.
The levity found on their early releases had mostly been scrubbed away after their third record, Chuckbut here it's truly a thing of the past. The quintet -- rounded out by returning prodigal guitarist Dave "Brownsound" Bakshhis replacement Tom Thackerbassist Jason "Cone" McCaslinand new drummer Frank Zummo -- is hungry, anxiously so.
Clocking in at less than 40 minutes of classic Sum 41 metal-meets-hardcore punk, it's a breathless ride that offers only a few moments of contemplation before going balls to the wall once more. Following the trajectory of "fall and rise," the front half of the album is grim. Whibley descends into the pits of desperation and anger, the frustration seething on tracks like "Goddamn I'm Dead Again" and "Fake My Own Death," a pair of blazing tracks that will give fans nostalgia goosebumps.
The latter half of the album is the slow rise to what could be called hope, especially on the rousing trio that closes out the album. Above all, the yearning "War" is the emotional pinnacle of the album, a testament to Whibley 's battle for sobriety and survival as well as an anthem for fans living with similar struggles.
A Murder of Crows. Deryck Whibley. Sum Goddamn I'm Dead Again. Fake My Own Death. Breaking the Chain. There Will Be Blood. The Fall and the Rise. Twisted by Design.This is because punk is almost by definition unromantic, at least in a traditional sense. As a musical genre, punk music is about alienation and dysfunction, resistance, or some combination thereof. To be sure, love songs are more common in some punk subgenres than others.
Not only are there a ton of punk love songs, but some of them are really good!
The best are original, often disarmingly funny, painfully honest and direct, and sometimes endearingly warped. The Buzzcocks are the grandaddies of high-speed heartache.
Still, this is the most beloved romantic song in their discography. The lyrics strip all floweriness away from a timeworn theme unrequited love hurts while the raw, power-pop guitars imbue it with the urgency of a fresh wound. Dave Vanian is frothing and spitting on himself to get to see this girl, and, in fairness, she does sound pretty cool. Besides being believable, two other things make this song great.
One: A song about a girl, by a guy, that praises that girl entirely for her personality traits is a rare and beautiful thing.
Sum 41 - Fat Lip Lyrics
Two: People talk and sing about falling headlong in love all the time, but this song, with its double-time rave ups, comes a lot closer to sounding the way that actually feels than any mid-tempo treatment of the subject. We can forgive it that because it stands as a landmark unto itself and still sounds as immediate as it did when it came out in The drums pound like a panicking heart and the riffs fold into each other like endlessly crashing waves, which creates a strong musical analogy for drowning in emotion.
This organ-driven rocker by Los Angeles punk legends X describes a world in chaos, where right and wrong have lost all meaning. But its chorus, sung with Exene Cervenka and John Doe barely harmonizing together, makes it a love song, and a great one at that. That line, moaned, almost bleated by Doe and Cervenka, conveys a desperate love, a love in spite of everything, including the people concerned.
Yes, this is a bona fide love song by a hardcore band. Masters of hooky, melodic pop punk, Descendents have a lot of love songs. Well, they at least have a lot of songs about girls, and this one is their sweetest. Descendent have a fair amount of sour love songs, too, but this one is simply about falling in love with someone and hoping they feel the same way.
If you pay close attention to the lyrics, this a pretty conflicted love song. If they did write love songs, they tended to complicate the typical boy-meets-girl script. Like every song on their second album Inzombiait completely rocks. Crackling with electric energy, the song conveys a clear-eyed joy and the wonder of discovery. Not only were Vivian Girls a punk band, they were one of the best punk bands ever and this song proves it.
Katy Goodman and Frankie Rose help Cassie Ramone kick up a storm of noise while she wonders if the guy she likes realizes that she likes him.Return to mobile? Yes No.
In Too Deep Lyrics. Fat Lip Lyrics. With Me Lyrics. Pieces Lyrics. By Albums By Lyrics Featured. Misheard Lyrics Video. Know the lyrics to any of these songs?
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